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Professor Hermann Dischler
25th September 1866 – 20th March 1935
Hermann Dischler was born on the 25th of September in 1866 in Freiburg i.Br. He received his artistic training in the art school in Karlsruhe, he was student of Gustav Schönleber. Thereafter he was engaged as a painter in the Breisgau-Hochschwarzwald area.
1894, after he finished his studies, he built himself an artist’s workroom in Freiburg i.Br. At this time he went on a lot of trips and his trusty camera followed him everywhere. Five years later he started to number and comment his artworks, which he collected in 29 «Bildbüchern (books of pictures)».
In the winter months from 1905 to 1907 he stayed in the Todtnauer Hütte, where a lot of his oil studies arise.
The snowy winter landscapes became his typical theme and he called himself «Schneemoler (snowpainter)». 1917 he received his professorship by Grand Duke Friedrich II.
In 1927 he had an exhibition with artists like Curt Liebich, Julius Heffner, Wilhelm Nagel, Wilhelm Wickertsheimer a.o., they called themselves «Die Schwarzwälder (the Black Forests)». He died on the 20th of March in 1935 in Hinterzarten. Today his works are extremely appreciated because the snowy landscape present the untouched nature.
Lit: Exhibition Catalogue Augustiner Museum, Freiburg i.Br., 1993
Professor Hermann Dischler
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2764
Herbstauktionen
Alsloot, Denis van
The golden age. Oil on canvas, relined. Unsigned. Retouching, restored. Provenance: Rhenish private collection. Literature: Les paintres Flamands de paysage au XVIIe siecle. Le baroque anversois et l'ecole bruxelloise, Yvonne Thiery and Michel Kervyn de Meerendre, Brussels 1987, p. 3 (cf.).
Um 1570 Brüssel - 1625/1626 (?).
Das goldene Zeitalter. Öl/Lw, doubl. Auf einer Waldlichtung Maria in blauem Umhang über dem rotem Gewand, auf ihren Knien das Jesuskind, links daneben der Johannesknabe und zwei Engel, einen Blütenkorb tragend. Unsign. Retuschen, altrest. H. 103, B. 82 cm.
An einigen Werken des flämischen Barockmalers Denis van Alsloot, wie wohl auch an vorliegendem, arbeiteten Hendrick de Clerck oder Pieter van Avont als Figurenmaler mit.
Van Alsloot malte zunächst im Stil Gillis van Coninxloos, entwickelte aber zu Beginn des 17. Jahrhunderts seinen eigenen Stil. Um 1604 wurde er Hofmaler von Albrecht VII von Österreich und seiner Frau Isabella Clara Eugenia von Spanien. Seine fein gemalten Werke können als Vorläufer der modernen Landschaftsmalerei betrachtet werden.
Provenienz: Rheinische Privatsammlung.
Literatur: Les paintres Flamands de paysage au XVIIe siecle. Le baroque anversois et l'ecole bruxelloise, Yvonne Thiery und Michel Kervyn de Meerendre, Brüssel 1987, S. 3 (vgl.).